Don't Think
Some thoughts for overthinkers
My latest novel ANIMAL INSTINCT is about a woman rediscovering her desire in midlife — it’s been called a best book of the year by NPR, Oprah Daily, and more. You can order it here. And hey, if you do get a copy, DM me your receipt and I’ll comp you a paid subscription to this very newsletter, Writing on the Verge (this gives you access to alllll the archives, which otherwise get paywalled after a month) ✨✨✨✨✨
I’ve never done improv theatre, which sounds, honestly, like a living nightmare, but I have known people who partake, and thus I know that, according to the Upright Citizens Brigade anyway, an important mantra for those in the Lifestyle is: Don’t Think. It makes sense — it’s hard to be funny if you’re overthinking, or being too cautious.
Sketch comedy dreams/nightmares aside, overthinking can also be deadly for a writer.
Yes, even though most of what writers do is think.
Because here’s the thing — it matters where you expend all that thinking energy. You want to think about your characters, or if you’re writing nonfiction, the people in your work. You want to think about your plot, or whatever the shape of the piece is. Eventually, you want to think about your sentences and word choice. Eventuallyer, you want to think about rhythm and pacing. And then, if you haven’t done this bit already, you’ll need to zoom way out and think about your reader.
Before all that, however, you have to not think.
Keep reading with a 7-day free trial
Subscribe to Writing on the Verge to keep reading this post and get 7 days of free access to the full post archives.

